Sometime in early 2005, a mustachioed Kazakh journalist known as Borat Sagdiyev slipped into America with the intention of making a documentary for the alleged good of his Central Asian nation. Many months later, the funny bruised fruits of his labor, are poised to hit the collective American conscience with a juicy splat. The Minutemen, those self-anointed guardians of American sovereignty, were watching the wrong border. Borat, who just recently invited the “mighty warlord” George W. Bush to the premiere of his film before a gaggle of excited news crews, is the dim brainchild of Sacha Baron Cohen, the British comic best known until now for another of his pseudonymous identities, Ali G.

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Described by his creator as a “wannabe gangsta,” Ali G was the host of a British television show, starting in 2000 (HBO had the American edition), where, as the voice of “the yoof,” he interviewed serious and self-serious movers and shakers, including “Boutros Boutros Boutros-Ghali,” Sam Donaldson and Richard Kerr, a former deputy director of the Central Intelligence Agency, who found himself explaining why terrorists could not drive a train into the White House. (No tracks.) Mr. Baron Cohen succeeded in seducing politicians and pornography stars alike, mostly because Ali G’s phenomenal stupidity made the character seem harmless. Kartina tanya ne boitsya moroza map.

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He also seemed to represent the ultimate in media big game: young people. Dressed like a Backstreet Boy, complete with Day-Glo romper suits, designer initials and a goatee that looked as if it had been painted on with liquid eyeliner, he was met with bewilderment, exasperation and patience that at times bordered on the saintly. Like Borat and Bruno, another of the comic’s similarly obtuse television alter egos who made regular appearances on the shows, the joke was equally on Ali G and on the targets of his calculated ignorance. With Borat, Mr.

Baron Cohen took the same basic idea that had worked with Ali G and pushed it hard, then harder. The joke begins with an apparently never-washed gray suit badly offset by brown shoes, which the performer accents with a small Afro and the kind of mustache usually now seen only in 1970s pornography, leather bars and trend articles.

Think Harry Reems, circa 1972, but by way of the Urals. Married or widowed, and he appears to be both, Borat loves women, including his sister, the “No. 4 prostitute” in Kazakhstan, with whom he shares lusty face time in the film’s opener. He’s a misogynist (a woman’s place is in the cage), which tends to go unnoticed because he’s also casually anti-Semitic.

Sacha Baron Cohen travels across America in “Borat.” Credit Ruben Fleischer/20th Century Fox That Mr. Baron Cohen plays the character’s anti-Semitism for laughs is his most radical gambit. The Anti-Defamation League, for one, has chided him, warning that some people may not be in on the joke.

And a sampling of comments on blogs where you can watch some of the older Borat routines, including a singalong in an Arizona bar with the refrain “Throw the Jew down the well,” indicates that the Anti-Defamation League is at least partly right: some people are definitely not in on the joke, though only because some people are too stupid and too racist to understand that the joke is on them. As the 19th-century German thinker August Bebel observed, anti-Semitism is the socialism of fools, a truism Mr. Baron Cohen has embraced with a vengeance. Advertisement Given this, it seems instructive to note how discussions of Borat, including the sympathetic and the suspicious, often circle over to the issue of Mr. Baron Cohen’s own identity.